Wendy Marijnissen: A Year In Pakistan


Based in Antwerp, Wendy Marijnissen is a freelance documentary photographer from Belgium, who has a career in looking for, and reporting on, stories with a social context. She completed a long term reportage in Israel and Palestine, using music to show a different part of daily life in this stressful and violent region. She's currently working on a new project about childbirth and maternal mortality in Pakistan, of which some of her compelling photographs can be seen in the above movie.

Another of Wendy's compelling photo essays is on the dai. A dai (or dayah in Arabic) is a traditional midwife or birth attendant in the Middle East, and Pakistan. Midwifery skills are usually passed on from generation to generation and most practitioners have had no formal training.

The unhygienic conditions in which the dai work, their lack of education and the delayed referral to hospitals in case of complications are the major cause for the high maternal mortality rate in Pakistan.

Fernanda Preto: Cowboys of Pantanal



Fernanda Preto is a Brazilian photojournalist currently based in Sao Paulo, and after living in the Amazon area for three years, has worked in environment and social reportages. She obtained degrees from the Panamerican School of Arts in Sao Paulo and from the Tuiuti University of Parana.

Her short film is about the Cowboys of Pantanal, which she produced using a Canon 5D Mark II. Pantanal is the largest tropical wetland in the world. Its largest area is in the state of Matto Grosso do Sul, with the rest being in Bolivia and Paraguay. It's considered as one of the last 37 natural wilderness areas in the world. The cowboys working in the area have survived for more than 100 years, doing the same task as the fathers and forefathers did, drive cattle to the highlands before the floods.

You can also see Fernanda's very well composed still images of the Pantanal Cowboys on her website by hovering your cursor over Features.

Next Week on The Travel Photographer




What's on tap for the week starting Monday, December 20? Take a look:

1. The work of a Brazilian photographer/photojournalist featuring her work on Brazil's cowboys.
2. The portfolio of a humanitarian and cultural photographer...with a focus on South Africa.
3. The work of an Indian photographer on the homeless of Kolkata.
4. And speaking of Kolkata...I'll be releasing the details of my photo~expedition/workshop in October 2011. It already has been announced yesterday to my newsletter's subscribers who are given priority.

Plus the usual "shooting from the hip" post. I didn't have the time last week for a meaningful rant..but you never know.

Ashura: Photos In "The Big Ones"

Photo © REUTERS/Morteza Nikoubazl (Courtesy Reuters Photo Blog)
Photographs of the Day of Ashura are carried by a number of the newspaper large picture blogs, largely because of its graphic nature, and while I initially thought it might have been because it reinforces the stereotype of Islamic fervor being violent, I've reconsidered and I'm quite certain that this is not the case. I recall seeing lovely peaceful scenes of Muslims celebrating Ramadan on The Big Picture blog.

Photo © Daniel Berehulak/Getty Images (Courtesy WSJ Photo Journal)
Be it what it may, the photographs are graphic because the acts of self mortification and flagellation carried out by the Shias are just that...extremely graphic. Flagellation is not at all exclusive to Shia Islam, but is also practiced by certain elements of the Christian faith.

Photo © REUTERS/ Ali Hashisho (Courtesy Reuters Photo Blog)
The Day of Ashura falls on the 10th day of the Islamic month of Muharram and for the Shias, commemorates a day of mourning for the death of Hussein ibn Ali, the grandson of the Prophet Muhammad, at the battle of Karbala.  Shias consider Hussein the third Imam and the rightful successor to Muhammad, and the grief for his death is demonstrated by the self-flagellation in parades and other venues.
Photo © Soe Zeya Tun/Reuters (Courtesy WSJ Photo Blog)

For Sunni Muslims, Ashura is observed by fasting as the Prophet Muhammad did, to commemorate the day when Moses and his followers were saved from Pharaoh by God by creating a path in the Red Sea. Surprising, huh?

The top photograph is of a girl with a green headband with the words "Hussein" as she attends the Ashura religious festival in Khorramabad, southwest of Tehran.

The second photograph is of a Shia devotee in New Delhi beating his bloodied chest as part of the ten-day mourning period marking the death of Imam Hussein. 

The third photograph is of a Lebanese Shia whose shaven head bleeds after tapping his forehead with a razor during the Ashura ceremony in Nabatiyeh.

The fourth and last photograph is a Shia walking on hot coals during a Ashura ceremony at a mosque in Yangon, Myanmar.

I ought to plan attending Ashura to photograph its ceremonies...it would be fascinating. Yes, bloody and graphic...but I'd attend it given half the chance. I came close years ago to do so when working in Bahrain, but I was advised not to attend it with a camera. Different times, I suppose.

My Work: Manali Street Barbers



Photo © Tewfic El-Sawy-All Rights Reserved

Alongside a participant (who's somewhat visible in one of the mirrors) in my multimedia class at the Foundry Photojournalism Workshop in Manali, who's presenting a photo story about street barbers, I photographed some of them in one of the main alleys of the small town. It seems that these particular street barbers have been working on the same site for over 35 years, and they (as evidenced by the constant stream of clients) have a thriving business, despite their protestation to the contrary.

The Foundry Photojournalism Workshop is, by all accounts, a terrific success and its finale is today in the evening where some 70 students will present their work, after a face off with their instructors in a "friendly" game of cricket.

Bhutan: Land of Druk Yul Photo Expedition


Due to a last minute cancellation caused by a personal change in circumstances, the Bhutan: Land of Druk Yul Photo Expedition currently has room for only one participant. The dates of the photo~expedition are from September 23 to October 7, 2009.

If you're interested, click on the photo~expedition link, review the terms and itinerary and register at the earliest if it works for you. This opportunity will only be available until July 16.

Palani Mohan: VIVID


Here's VIVID, a blast of colors that will surely jolt your senses into overdrive! It's a collection of "color-caffeinated" photographs by Palani Mohan of various (mostly of the Indian Holi festival) scenes of tremendous color.

Palani was born in Chennai, India, and moved to Australia as a child. His photographic career started at the Sydney Morning Herald newspaper, and since then he has been based in London, Hong Kong, Bangkok, and now Kuala Lumpur. Malaysia.

His work has been published by many of the world's leading magazines and newspapers including National Geographic, Stern, Time, Newsweek, and The New York Times. He also published three photographic books. Palani's work has been recognized with awards from World Press Photo, Picture of the Year, National Press Photographers Association, American Photo and Communication Arts. He is represented by Getty Images' Reportage Group in New York.

The Travel Photographer blog previously featured Palani Mohan's work here.

Kolkata's Cult of Durga: New 2011 Photo Expedition



I'm pleased to announce details of my Kolkata's Cult of Durga Photo Expedition™ scheduled from September 29 to October 13, 2011.

Kolkata's Durga Puja is the most important religious festival of West Bengal, celebrating the Hindu goddess Durga. Due to its importance, it's the most significant socio-cultural event in Bengali society of the year. It's during this annual spiritual event that I shall conduct a photo expedition/workshop.

The purpose of this photo~expedition is to photograph the innumerable rites associated with the Durga Puja festivities; and since Kolkata offers a diverse, gritty, and a visually compelling environment to photographers, it'll also be a "street-photography-heavy" workshop, with a multimedia component.

For details, drop by Kolkata's Cult of Durga Photo Expedition™

Paula Marina: Iemanjá



Photo © Paula Marina-All Rights Reserved

Born in Recife, Brazil, Paula Marina is a journalist and photographer who currently lives and works in in Sao Paulo. She started photography at the tender age of 18 years old, attending various courses at SENAC, and working with prints and enlargements in a makeshift darkroom in her bathroom.

Her website showcases a broad panoply of photographic interests, ranging from fine art to more travel oriented photography, however what caught my attention was her photo essay on Iemanjá.

Iemanjá is the Goddess of the Water in the Brazilian Candomblé and Umbanda religions, and December 31 is when, in addition to celebrating New Year’s Eve, large crowds of its adherents are celebrating the Festa de Iemanjá near Rio's beaches. The goddess is offered flowers, gifts, perfume and rice which are cast into the water.

Like Santeria, it is basically a possession religion in which adherents assume the form of deities, both for worship and magic.

Alessandra Meniconzi: Hidden China


I've waxed lyrical many times about Alessandra Meniconzi's Hidden China book, and it was with great pleasure that I realized she recently updated (and enhanced) her website with absolutely magnificent photographs of minorities in China, structured along the same chapters in her book.

I've said it before, and I'll say it again. If there's one travel photography book you ought to have on China, this is the one. If this still doesn't convince you, I believe the imagery you'll find on her Hidden China website will. This is travel photography and ethno-photography at its best.

As background, Alessandra Meniconzi is a Swiss photographer fascinated by the lives and traditions of indigenous people in remote regions of the world. After many years of working in Asia, she traveled in Iceland and became interested in the Arctic. She is the sole photographer for the books Hidden China (2008), Mystic Iceland (2007), and The Silk Road (2004), and she is currently working on the new book about Tibet, Arctic and Himalaya.

Alessandra was featured here on TTP.

The Big Picture Blog: Best of 2010

Photo © Goran Tomasevic (Reuters)
Boston Globe's The Big Picture Blog is featuring the first part of three sets of photographs, which define 2010. The first set consists of 40 photographs...with some gems from Emilio Morenatti, Finbarr O'Reilly, while this one from Reuters' Goran Tomasevic is probably my favorite so far.

It shows U.S. Marines from Bravo Company, 1st Battalion, 6th Marines, protecting an Afghan and his child after Taliban fighters opened fire in the town of Marjah, in Nad Ali district, Helmand province on February 13, 2010.

The Hijras (Eunuchs) of Becharaji



Photo © Tewfic El-Sawy-All Rights Reserved

Eunuchs, transsexuals, or transgender men are known as hijras in South Asia. They adopt feminine gender identity, women's clothing and other feminine gender roles. Etymologically, the word hijra is an Urdu word, seemingly derived from the Arabic root hijr or emigration in the sense of "leaving one's family, tribe or country," and it has been borrowed into Hindi.



Photo © Tewfic El-Sawy-All Rights Reserved

Many hijra live in all-male communities, and have sustained themselves over generations by "adopting" young boys who are rejected by, or flee their family. Many work as male sex workers for survival. According to estimates by health organizations, only 10% of hijras are actually castrated.



Photo © Tewfic El-Sawy-All Rights Reserved

During my Tribes of South Rajasthan & Kutch Photo~Expedition™ , we stayed at the immaculate and well-run Rann Riders resort in Dasada, and its knowledgeable owner Muzahid Malik, suggested we visited Becharaji where hijras frequented its temple.



Photo © Tewfic El-Sawy-All Rights Reserved

As I walked in to the temple ahead of my group, I chanced upon hijras who, upon seeing me, started to clap their hands and laughing. Not really catching on that this was their trademark way of announcing their presence and sexual persuasion, I imitated them and clapped in exactly the same way...one hand on the top of the other, rather than sideways. This drove them to raucous laughter, and eventually to self-consciously pose for our cameras.

There are many stories told about the hijras, and how they extort money by embarrassing shopkeepers and guests at wedding parties, but those we met at the Becharaji temple were friendly and obviously delighted that we took such nonjudgmental interest in them. Naturally, there was some posturing for the cameras, and much competition for the most suggestive poses.

Muzahid invited me to spend a couple of weeks in Dasada. Perhaps I will...After all, there's a hijra festival at Becharaji in late summer. Another potential destination for a photo~expedition?

For a book on hijras, read Zia Jaffrey's The Invisibles.

Michael Rubenstein:India



Photograph © Michael Rubenstein-All Rights Reserved

Michael Rubenstein is a photographer based in Mumbai to cover South Asia for Redux Pictures, having lived in New York City and Portland, Oregon. He has a degree in Environmental Policy and has studied at Ohio University's School of Visual Communications.

His clients include: Time Magazine, Newsweek, The New York Times, The Wall Street Journal, The New York Times Magazine, The Oregonian, The Chicago Tribune, The Financial Times, Complex Magazine, The Paris Match, Bloomberg News Service and W+K.

Some of his work on Andheri, a Mumbai suburb being transformed into a hip neighborhood appeared in the NY Times. And it's interesting to see the stylistic difference between this photo sideshow and his India gallery on his website.

The Travel Photographer's Motion



I set up The Travel Photographer's Motion as a parallel portal (using the F8 Graph Paper Press theme) for my audio slideshows, which are originally produced in the SoundSlides format, and subsequently converted to mp4s, then uploaded to Vimeo. I have no real preference between Vimeo or YouTube, and I'll eventually have these mp4s uploaded on both.

The current line-up consists of Baneshwar: Pind Daan (the annual rite of remembrance for Rajasthan tribals), White Shadows (my favorite! The sad life of the widows of Vrindavan), Debates at the Sangha (Buddhist debates in a Bhutanese monastery...much more animated than those in our Senate), Gnawa (the rhythmic Sufis of Morocco), The Street Chinese Opera (intense musical cacophony in NYC's Chinatown) and Cham! (the tsechus of Bhutan).

More of my audio-slideshows converted to mp4s are in the works.

Both Vimeo and YouTube’s have adopted the HTML5 video element (although the former is restricted and the latter is in beta), which permits most browsers (not Firefox, I think) to bypass the Flash plug-in and use video native to the browser’s player. That will prove useful for such movies to be seen on the iPad.

LATimes' Framework: Chhath Festival

Photo © Narendra Shrestha/EPA
 The Los Angeles ' Times large image photoblog Framework has featured a number of lovely photographs from around the world this past week. I liked this one by EPA photographer Narendra Shrestha of a Nepali woman staring while offering fruits and coconuts to the setting sun during the Chhath festival in Kathmandu.

The Chhath festival is observed by Hindus in India and Nepal, and it's performed in order to thank the Sun god Surya for sustaining life on earth, and to ask for the granting of wishes. The rituals include bathing, fasting and abstaining from drinking water, standing in water for long periods of time, and making offerings to the setting and rising sun.

Next Week on The Travel Photographer


For the week starting Monday November 14,  apart from off-the-cuff posts, the following is in the pipeline:

1. A photographer's multimedia photo essay on the Sami people of the Scandinavian Arctic.
2. A photographer's gallery of his freshly-minted photographs of East Africa.
3. The work of a Vietnamese photographer of his homeland.
4. Another interesting edgy documentary on illegal emigrants from Central America.
5. Hard-hitting images from a photojournalist out of Haiti.

WSJ Photo Journal: The Haj

Photo © Hassan Ammar/Associated Press
The Wall Street Photo Journal is one of the first of the large picture blogs to publish a photograph to commemorate the Haj (or Hajj, as it spells it). The caption reads "Tens of thousands of Muslim pilgrims prayed inside the Grand Mosque, during the annual Hajj in Mecca, Saudi Arabia. The Islamic pilgrimage draws three million visitors each year, making it the largest yearly gathering of people in the world."


I think the qualifier that it's the largest yearly gathering of people is appropriate since the religious gatherings of the Kumbh in India surpass it....however the Kumbhs are not yearly pilgrimages.

The Guardian newspaper's website has also featured a fresh slideshow of the Haj rituals. Some lovely images there.

My Book: Bali Island of Gods Update 2





I've received the full version of my book Bali: Island of Gods from Blurb, and I'm happy with it. The variations in tone have been evened out, and the photographs are much better looking than in the sample I got last week. Phew!

I will have two versions of the book (82 pages of black & white photographs) on Blurb's bookstore. A large (13x11 inches) landscape hardcover version that'll be more expensive aimed at those who like me a lot, and a standard (10x8 inches) landscape hardcover version aimed at those who like me a little less. Those who are indifferent don't have to buy either...but wishing me luck with it would be nice.

Both versions will be available in a few days....and will be announced here.

Mohamed Hassan: Photojournalist

Photo © Mohamed Hassan- All Rights Reserved
Mohamed Hassan Abd El Aal (Mikko Hassan) lived and worked in Cairo, and graduated from the Akhbar El-Yom Academy with an honor degree in Journalism. He worked as a press photographer in the daily newspaper El-Shorouk El Gedid. Apart from covering political issues, protests and demonstrations, he was interested in documenting the traditional manufacturing processes in Old Cairo. One of these features gleaned him first prize in the 2009 Annual Press Photography Competition of Egypt.

I met Mohamed (aka Mikko) at the Foundry Photojournalism Workshop in Istanbul. He wasn't in my class, but approached me, rather shyly, and expressed his pleasure in seeing that one of the instructors was of Egyptian heritage. He told me that although he had seen my name on the roster of instructors, but had taken it for Lebanese. Mohamed participated in Guy Calaf's class, and had been awarded a scholarship.

I reviewed Mohamed's portfolio which, as he wrote in his biography, had photographs of his explorations in the deepest corners of Old Cairo. He did them during his one day week-ends, on his own time, deriving nothing of it except his own pleasure and self-improvement. I sensed his enthusiasm for photography, saw his talent and his eye for composition, and predicted to him that he'd be one of Egypt's best photojournalists.

It was not to be. His trajectory was very sadly cut short because of a fatal freak accident a few days ago. He will be missed by many.

The Foundry Photojournalism Workshop family reacts: Eric Beecroft, the co-founder of the Foundry Photojournalism Workshop, announced that a permanent full scholarship in Mikko's name will be made available, and his work is featured on the FPW's front page.

Erika Larsen: Lavvos & Reindeer

Photo © Erika Larsen- All Rights Reserved

Erika Larsen is a photographer and film-maker who's recently been doing work in the Scandinavian Arctic with families of Sami reindeer hunters.

She worked as a magazine photographer since 2000 specializing in human-interest stories, cultural issues and the daily life of people connected to the natural world. She's recognized by World Press Photo, American Society of Magazine Editors, Society of Photographers, New Jersey State Council of the Arts and is a Fulbright Scholar.

The Sami peoples are also known as Lapps (although this term is considered as outdated, and often derogative), and are the arctic indigenous people inhabiting parts of far northern Sweden, Norway, Finland and the Kola Peninsula of Russia, but also in the border area between south and middle Sweden and Norway. They traditionally survived by hunting and fishing, and in more recent years, by herding reindeer, which have also become their staple food. Reindeer meat is most commonly eaten fried, or is is often dried for later consumption.Lavvos is the name for the Sami's tents.