Paula Marina: Iemanjá



Photo © Paula Marina-All Rights Reserved

Born in Recife, Brazil, Paula Marina is a journalist and photographer who currently lives and works in in Sao Paulo. She started photography at the tender age of 18 years old, attending various courses at SENAC, and working with prints and enlargements in a makeshift darkroom in her bathroom.

Her website showcases a broad panoply of photographic interests, ranging from fine art to more travel oriented photography, however what caught my attention was her photo essay on Iemanjá.

Iemanjá is the Goddess of the Water in the Brazilian Candomblé and Umbanda religions, and December 31 is when, in addition to celebrating New Year’s Eve, large crowds of its adherents are celebrating the Festa de Iemanjá near Rio's beaches. The goddess is offered flowers, gifts, perfume and rice which are cast into the water.

Like Santeria, it is basically a possession religion in which adherents assume the form of deities, both for worship and magic.

Alessandra Meniconzi: Hidden China


I've waxed lyrical many times about Alessandra Meniconzi's Hidden China book, and it was with great pleasure that I realized she recently updated (and enhanced) her website with absolutely magnificent photographs of minorities in China, structured along the same chapters in her book.

I've said it before, and I'll say it again. If there's one travel photography book you ought to have on China, this is the one. If this still doesn't convince you, I believe the imagery you'll find on her Hidden China website will. This is travel photography and ethno-photography at its best.

As background, Alessandra Meniconzi is a Swiss photographer fascinated by the lives and traditions of indigenous people in remote regions of the world. After many years of working in Asia, she traveled in Iceland and became interested in the Arctic. She is the sole photographer for the books Hidden China (2008), Mystic Iceland (2007), and The Silk Road (2004), and she is currently working on the new book about Tibet, Arctic and Himalaya.

Alessandra was featured here on TTP.

The Travel Photographer's Photo-Expeditions™ 2011


Although I haven't firmed up any decisions yet, I am starting to mull over two (of the possible 3) Photo-Expeditions™ for 2011 that will be non-Arab Islam-centric. The two expeditions' underlying themes will be documenting the existing syncretism between Islam, its Sufi offshoot and another major tradition. The itineraries will include photographing certain rituals at obscure religious sites, as well as at other locations...I can't be more specific at this stage without letting the cat out of the bag.

As followers of my Photo-Expeditions™ news and of this blog know, I've decided to further accentuate the travel-documentary thrust of my photo~expeditions, and reduce the maximum number of participants to only 5 (excluding myself) on each trip.

My recent expeditions have become so popular that they've swelled up to 9-10 participants, and generated long waiting lists. As of 2011, participation will no longer be based on "first registered first in", but will be based on a portfolio viewing and other criteria. Details of the 2011 itineraries will be announced to subscribers to my newsletter mailing list.

In the meantime, I'm readying some pre-departure information for the participants in my Bali: Island of Odalan Photo-Expedition™ due to start August 1. Exciting stuff!!!

The Hijras (Eunuchs) of Becharaji



Photo © Tewfic El-Sawy-All Rights Reserved

Eunuchs, transsexuals, or transgender men are known as hijras in South Asia. They adopt feminine gender identity, women's clothing and other feminine gender roles. Etymologically, the word hijra is an Urdu word, seemingly derived from the Arabic root hijr or emigration in the sense of "leaving one's family, tribe or country," and it has been borrowed into Hindi.



Photo © Tewfic El-Sawy-All Rights Reserved

Many hijra live in all-male communities, and have sustained themselves over generations by "adopting" young boys who are rejected by, or flee their family. Many work as male sex workers for survival. According to estimates by health organizations, only 10% of hijras are actually castrated.



Photo © Tewfic El-Sawy-All Rights Reserved

During my Tribes of South Rajasthan & Kutch Photo~Expedition™ , we stayed at the immaculate and well-run Rann Riders resort in Dasada, and its knowledgeable owner Muzahid Malik, suggested we visited Becharaji where hijras frequented its temple.



Photo © Tewfic El-Sawy-All Rights Reserved

As I walked in to the temple ahead of my group, I chanced upon hijras who, upon seeing me, started to clap their hands and laughing. Not really catching on that this was their trademark way of announcing their presence and sexual persuasion, I imitated them and clapped in exactly the same way...one hand on the top of the other, rather than sideways. This drove them to raucous laughter, and eventually to self-consciously pose for our cameras.

There are many stories told about the hijras, and how they extort money by embarrassing shopkeepers and guests at wedding parties, but those we met at the Becharaji temple were friendly and obviously delighted that we took such nonjudgmental interest in them. Naturally, there was some posturing for the cameras, and much competition for the most suggestive poses.

Muzahid invited me to spend a couple of weeks in Dasada. Perhaps I will...After all, there's a hijra festival at Becharaji in late summer. Another potential destination for a photo~expedition?

For a book on hijras, read Zia Jaffrey's The Invisibles.

Michael Rubenstein:India



Photograph © Michael Rubenstein-All Rights Reserved

Michael Rubenstein is a photographer based in Mumbai to cover South Asia for Redux Pictures, having lived in New York City and Portland, Oregon. He has a degree in Environmental Policy and has studied at Ohio University's School of Visual Communications.

His clients include: Time Magazine, Newsweek, The New York Times, The Wall Street Journal, The New York Times Magazine, The Oregonian, The Chicago Tribune, The Financial Times, Complex Magazine, The Paris Match, Bloomberg News Service and W+K.

Some of his work on Andheri, a Mumbai suburb being transformed into a hip neighborhood appeared in the NY Times. And it's interesting to see the stylistic difference between this photo sideshow and his India gallery on his website.

The Travel Photographer's Motion



I set up The Travel Photographer's Motion as a parallel portal (using the F8 Graph Paper Press theme) for my audio slideshows, which are originally produced in the SoundSlides format, and subsequently converted to mp4s, then uploaded to Vimeo. I have no real preference between Vimeo or YouTube, and I'll eventually have these mp4s uploaded on both.

The current line-up consists of Baneshwar: Pind Daan (the annual rite of remembrance for Rajasthan tribals), White Shadows (my favorite! The sad life of the widows of Vrindavan), Debates at the Sangha (Buddhist debates in a Bhutanese monastery...much more animated than those in our Senate), Gnawa (the rhythmic Sufis of Morocco), The Street Chinese Opera (intense musical cacophony in NYC's Chinatown) and Cham! (the tsechus of Bhutan).

More of my audio-slideshows converted to mp4s are in the works.

Both Vimeo and YouTube’s have adopted the HTML5 video element (although the former is restricted and the latter is in beta), which permits most browsers (not Firefox, I think) to bypass the Flash plug-in and use video native to the browser’s player. That will prove useful for such movies to be seen on the iPad.

Live From Oaxaca




Photo © Tewfic El-Sawy -All Rights Reserved

After suffering the trauma of temporarily losing my checked-in luggage between Newark, Mexico City and Oaxaca, I was delighted to be reunited with my belongings a mere 4 hours later. Not too bad Mexicana Click!! Of course, I jumped the gun and bought toothpaste/toothbrush and some other essentials (even a t-shirt) just in case, but that story ended well.

So here I am typing/blogging away in the patio of the delightful Hotel Aitana in the Centro Historico de Oaxaca, after a morning replete with photo ops in the two main markets of the town. We were glad to photograph a Guelaguetza rehearsal of young boys and girls at the Zocalo, who were prepping for a main event next Saturday.

We are waiting for one more member to join our group this afternoon, and we will then start the afternoon session. In the meantime, here's an image of a Oaxacan laborer. I can't tell if it sharp, or well processed as I'm using my Acer netbook...but it'll do for now.